A collection of resources providing an introduction to social innovation and enterprise for budding social innovators, future investors and enablers of their efforts, policy makers, and anyone else interested in learning more about the novel ways that some of the world's most pressing problems are being addressed.
Friday, September 23, 2011
Turing “Cants” Into “Cans”: The Affordability Factor
Thursday, September 22, 2011
Missing component at the "base of the pyramid"
A friend sent me the embedded video link on Isang Litrong Liwanag "A Liter of Light," a replicable and sustainable project designed by students at MIT. The project empowers community members to build their own solar bottle bulb that provides a good source of daylight at 55 watts: http://isanglitrongliwanag.org/
The video tells the success story of the project in Sitio Maligaya, a poor village in the Philippines where some inhabitants would just sleep due to lack of light. Nicknamed "Solar Demi," one villager took the initiative to brighten up the dark homes by utilizing local resources to construct the bulb. He has pointed the community building bulb initiative to install 643 bottles. Furthermore what strikes me is the care of scarce natural resources even though this may be a fresh new concept to the community members -- bleach is added to the water in the bottles so that algae does not accumulate and light is not detracted.
Strategic Innovation should include the "Ability" concept, that includes potential for sustainability and replicability to empower the people or communities that they impact.
http://www.youtube.com/watch?v=JOl4vwhwkW8&feature=player_embedded
cross-sector innovation
Yet, this week’s readings reinforce the notion that no-frills, dependable household goods are especially ripe for BoP-oriented innovation. The articles highlight fast-moving consumer goods like yogurt and shampoo, and durables like fridges and washing machines. Those industries happen to feature high-volume capacity and efficiency, so they’re a natural fit for producing at lowest-cost for the widest possible distribution.
Nonetheless, it’s not obvious to me that social innovation, as we’ve defined it, is within their core competency. The dominant strategy for household product companies has historically been to carve out a lasting brand position within an oligopoly. For example, Coke and Pepsi own the cola market, and nobody wants them to change their core product. In mature markets, consumer product developments are rarely revolutionary – mostly on the order of four razor blades instead of three or a “pro-health” vs. “anti-cavity” spin for toothpaste.
Inventing totally new distribution channels (such as remote coordination of rural door-to-door sales) is something that, at least in theory, other types of organizations ought to do better. Grassroots organizations and NGOs with a coherent mission-based culture should be spryer and more ingenious than mature-market consumer packaged goods (CPG) giants. My recollection is that Yunus’s Creating a World Without Poverty attributes a lot of the on-the-ground innovation to Grameen rather than Danone.
Last week in class, a classmate asked why many NGOs are relatively ineffective at running the standard value chain of a business. Lack of funding is only part of the answer. Another element, in my experience, is lack of intellectual capital and capacity-building orientation. As a nonprofit employee and volunteer before grad school, I spent a lot of time reinventing the wheel and falling short of best practices, because we couldn’t hire or train people on business skills.
This tension invites two questions: 1. are standard-cycle industries fundamentally shifting in a way that makes nonprofits outmoded? And 2. where do cross-sector joint ventures like Grameen Danone fit into the BoP market-creation scramble? Grameen Danone Foods Ltd. is so compelling because, through mutual trust and a clear organizational mandate, it achieved the best of both worlds: disruptive vision and sustainable, scalable capacity. I strongly hope that current trends will result in more cross-sector partnerships and mutual capacity-building, rather than subsuming mission-based organizations.
For the Good of Humanity--I'm going shopping.
Non-profit or For-profit. That is the question.
Government Innovators?
Are non-profit organizations and philanthropy an answer to the enormous array of the world's ills?
A New Model for the Arts
ArtsJournal's weblog posted an article on April 29, 2011 called Using the L3C Organizational Model. The author states that creating an L3C as part of a non-profit's organization has the opportunity to further their mission, provide some profit and engage the board.
Non-profit arts organizations could have a broader reach than what is specifically outlined in their mission. However, most focus specifically on their art and possibly education programs. Adding an L3C to the organization brings the potential for new revenue and a new audience. For example, producing popular theater works under an L3C could help to fund new and experimental works under the mother organization.
The most interesting aspect of a L3C model outlined in the ArtsJournal post was the ability to engage board members. Many, if not most, board members come from the corporate, for-profit world. Their ideas and experience can be invaluable to an arts organization especially when working to build an L3C under the original organization. Of course, the organization uses its board to raise funds and awareness within the community, but the L3C model has the chance to further their participation and buy-in to the arts.
The L3C opens up a world of opportunity to arts organizations that they have previously ignored or frowned upon in the past like Jessica said. Exploring new opportunities, especially when the 501ciii may not fully support an organization's needs, will be vital to the evolving nature of the arts.
The Future of Education and Online Grade Schools
Chasing the Dollar
In a lot of circles in the nonprofit arts sector, it is a bit taboo to talk about profit. Any discussion about money as any sort of end goal often evokes glares for mentioning such a blasphemous concept. To acquire financial gain from earned revenue surely must come at the expense of the quality of art. Since the birth of the non-profit model, the arts have been at war with the dollar. We in the business don’t like to focus on it, just ask for it. Sure, we absolutely need those Benjamins, but the arts much prefer fawning over generous seniors with fat pocketbooks to carry their annual budgets over the horrific thought of focusing on the market and what people will pay for. Why? Does money have to taint the arts?
Art serves many functions in society, and it doesn’t need to 501c3 model to prove it. You don’t have to be labeled as a charity in order to do good work in a community. In fact, could it do better without it?
In one of the articles this week, ‘A Social Solution, Without Going the Nonprofit Route,’ Marci Alboher provides a fantastic example of how business can still have a social focus with a story about solar-powered lamps were used in poor, rural parts of the world. As said in the article, it all comes down to one question: “As you grow, will the economics of your business work in favor of your mission or will they work against it?”
We all know that money has a bad rap. It often is the cause of greed, which leads to a plethora of negative consequences. Chasing the dollar has led many down a dark path. But does it have to be that way?
In order to enact a great deal of change or impact, you more than likely have to be financially stable on some level, whether you are helping to purify water in South America, or working on producing an important exhibit about the civil rights movement. So being cognizant of the dollar is important. In fact, some would even say critical.
Now, with that being said, there are areas of the arts industry where the good ‘ol grant and donor strategy is appropriate. It is true that sometimes art is not fully appreciated or realized during its time, and there must remain ways for it to still thrive and be produced. However, that is another topic.
What lies ahead for the non-profit arts sector is yet to be seen. What is quickly becoming apparent though are the cracks in the current model. Art that remains in the ivory towers and accessible to only a sliver of society has a very unlikely chance of survival. The economics of the business of the arts and their missions are not currently compatible in today’s environment. There needs to be some sort of shift. And while it might be hard to openly admit that someone is making a profit off of giving lamps to people in poverty, it’s working to fulfill their mission. It might be hard to admit that you choose half of your season with the wants of the community in mind, but when the curtain comes up, the seats are all filled, and there might be a better chance they’ll be filled for every show. So I guess the question is, whether in the arts, the developing world, or another area…can we switch money into a catalyst for positive change?
Teach for America - Quality v. Sustainability?
First-World Culture Shifts and its Effects on Third-World Countries
nonprofit vs for profit
Purchasing (Em)Power
“The whole offering must cohesively hinge upon preserving and ensuring the dignity of your new customers. The poor are not looking for handouts, but rather opportunities; providing them with such products or services through a filter of 'charity' or 'social work' serves no one.” (core77.com/blog/featured_items/the_5ds_of_bop_marketing_touchpoints_for_a_holistic_humancentered_strategy_12233.asp) I believe this quote adds merit to the discussion as to why the for-profit model works. In most industrialized countries, your purchasing power increases your status. In developing countries, the ability to purchase certain products can increase earning power and self-respect. The Kickstart Money Maker Pump is an example of the success of a “social business” that allows the poor to work toward improving their wellbeing without accepting a handout. Kickstart pump dealers in Mali say that if they gave these pumps to farmers, they would not use them because they would not be convinced of their value. Because they bring their own money to purchase them, they are more convinced of their usefulness. These dealers say “it is that simple” (http://www.youtube.com/watch?v=njN9B3091t4&feature=related ).
By providing low income households with affordable and useful products, companies create a chain reaction of positive growth. Word of mouth is the key to marketing useful products to low income families in rural areas. As the video from last week’s class demonstrated, many low income people who begin to generate a higher income from a product they purchase do not want to advertise their economic growth. It would be useful for the marketing strategies behind such products as the Kickstart Money Maker Pump to utilize the culture of the low incomes areas they are targeting. Some examples of these strategies would be to have product demonstrations during village celebrations or use a local resident as a town crier to advertise a product. These methods will assist in the marketing of a useful product without exposing those already benefiting from using the product. Less fortunate people of the surrounding areas may look to take advantage of their neighbor’s new found wealth.
What role will nonprofit organizations play the future in developing countries?
I started this semester skeptical about the idea of for-profit companies addressing social problems in developing countries fearing exploitation of the poorest, most vulnerable populations. However, as we advance through the course, I find myself questioning my previously held beliefs and asking rather, what role nonprofit organizations will play in this age of globalization, as businesses race to capture a share of the BOP market?
Several models we explored promote for-profit organizations as the way to create lasting change. In the reading for this week, A Social Solution, Without Going the Nonprofit Route Sam Goldman, the cofounder of D.Light, extends this idea saying "that only as a business could a project become large enough to reach the great number of people who use these lamps as their primary source of light.” Further, in the PBS video we watched last week about the water pump KickStart one of the people interviewed, Mark Bell, a professor of international agricultural development went as far to say, “The well-meaning tradition of nonprofits in developed countries, giving tools and equipment to poor people in Third World countries, is a poor model.”
Is the traditional model a poor fit? I tend to agree. The traditional nonprofit model often has no revenue stream, as goods are given away for free. Therefore, they depend heavily on charities, donations, and the government for their funding. However, that funding stream is vulnerable to people’s generosity, changes in the economy, and government politics. Moreover, what happens when funding dries-up? The organization leaves and the people in need must fend for themselves again. Yes, some people were helped, but the social issue persisted.
This is changing, though, as emerging economies grow and developing countries grow their wealth. As developing countries as they gain wealth and spending power, they are more equipped to tackle their own social problems and less reliant on outside support. For example, I stumbled upon a nonprofit organization called Akshaya Patra on the Stanford Center for Social Innovation website (http://csi.gsb.stanford.edu/social-enterprise-reduce-hunger-india). This innovative non-profit organization started in 2000 and now feeds about 1.2 million children throughout India. The model combines local products, local labor, and pre-existing government funding (directed to feeding poor school children) with innovative kitchen technology developed through frugal engineering. The key difference between this non-profit and the traditional non-profit, doesn’t lie in its funding structure as Akshaya Patra is funded through the government and private donations. The distinction is that the organization is a local solution that relies on local products, local labor, and domestic support.
The success of Akshaya Patra suggests that for-profit companies aren't the models that can solve social problems but I return to my initial question; what role will nonprofit from developed countries play in the future? Maybe traditional NGOs from developed countries will, in fact get phased out but I believe that is a good thing. It will signal a shift from an outside solution to a local and thus a balancing of equality.